The Melbourne Museum is redeveloping its children’s gallery and as part of the project decided to consult with educators, early childhood specialists, designers and health professionals to make the space as unique and innovative as possible. The initial plan was to include children at the testing stage of the project, but we helped the Museum team see the value in including children’s thoughts at the planning stage.
How were children’s voices heard?
The children’s ideas and opinions were captured at every stage of the redevelopment and it’s a real credit to the Melbourne Museum’s commitment to their educational program.
After meeting with our Leaders Group and brainstorming ideas, the Museum team organised workshops and gave each child a design board to create their own unique museum. Educators scribed the children’s thoughts as they talked though ideas.
The Museum team then set up mirrors, cardboard boxes, rope, streamers, lights and animal noises and watched how children of different age groups engaged with different materials and tactile/sensory experiences. The younger children jumped right in to this. At first they were throwing cardboard boxes in their excitement but then settled into making fantastic dens with the boxes and pieces of fabric.
This showed both the Museum team and educators that you don’t always have to be just two steps away. You always have to be mindful and watching, but there’s value in giving children the opportunity to show you what they are thinking in their own way, without prompts and questions. Activities like this are a beautiful way of showing children’s expertise, especially at the pre-verbal stage.
It all starts with a conversation
My advice to Educational Leaders looking to make connections with the community is to start a conversation because you never know where it’s going to take you. We received an initial invitation from a Melbourne Museum through a mutual colleague which kicked this amazing opportunity into motion but the really important thing is there was willingness on both side. We could have provided feedback via email on the initial consultation and left it at that but instead invited the Melbourne Museum team to visit and engage with our Leadership Group. It’s about valuing everybody. Everybody has knowledge and ideas; especially children.
Georgie Meyer:
What Melbourne Museum discovered
Working with Gowrie Docklands has given museum staff a rich understanding of, and respect for, the opinions of young children. Our workshop sessions demonstrated that pre verbal children have a lot to say, and Gowrie staff showed us how to listen.
Our new Pauline Gandel Children’s Gallery is specifically for children aged six weeks to five years. Through our time spent with the Gowrie children, we’ve seen that this is a very broad and diverse age range and each age and stage of development has particular needs and interests. We’ve also learnt that children are drawn to experiences that offer a balance between the familiar and unfamiliar. For example, they recognise and love a mirror, but even more so if it’s placed on the ground and can be stepped on.
Children are curious about nature, animals, (friendly) monsters, hiding places and surprises. They move, crawl, climb, dance and jump as a way of learning, not just a way of ‘letting off steam’. And the exploration of music and light appeals to all age groups, particularly when children can immerse themselves in the experience.
Listening to this feedback, we have incorporated many of the children’s ideas into the new Children’s Gallery. The space will have activities relevant to each age group, including tactile, hands-on experiences for younger children and narrative, games and social play for older children.
Familiar animal specimens from our collection will be on display, including birds, butterflies, a zebra and a leopard, which will lead children into an immersive multimedia experience. Children will enter this ‘Camouflage Disco’ full of lights, patterns, movements and sounds that will surprise and delight with a crawling crab, tiger stripes, a swimming fish, and giraffe spots.
The garden will be completely renovated allowing for nature play, exploration and outdoor movement. Rocks and minerals representing those in the Museum Collection will form a rock garden and crystal cave. An accessible sandpit will be home to a life-size dinosaur skeleton, the long-necked Mamenchisaurus, inviting children to excavate fossils. And the Victorian Aboriginal creation story of Tiddalik, the thirsty frog, will feature in a series of sculptures that end with a fountain offering water play.
We plan to continue our consultation and evaluation sessions with young children throughout 2016. We also hope our youngest co-creators will attend the launch of the new gallery later this year so we can thank them for their generosity, advice and ideas.
Republished from ACECQA. Read the original blog here.
Related Posts
‘It will be a wasteland if we don’t recycle’—Sustainability and intentional teaching in early childhood
Open the world to children through books
Research shows there are benefits from getting more three-year-olds into preschool
Promoting early learning in remote Indigenous early childhood services: A reflection on presenting at the 2016 AJEC Research Symposium
Tech wise: what’s the plan?
Good article. Children’s voices must be heard in the community, and if they will be heard, people will know their likes. They will be given the chance to improve and develop their skills and discover things along their journey. And with this, they will be encourage to LEARN while having FUN.
Qualities necessary for success